The Catholic Church and the world wrestle with an evangelical papacy.
Perhaps the most revealing detail in Pope Francis’s lengthy interview, conducted by the Italian Jesuit Antonio Spadaro and published yesterday in English translation in the Jesuit journal America, is the pontiff’s reflection on one of his favorite Roman walks, prior to his election:
When I had to come to to Rome, I always stayed in [the neighborhood of the] Via della Scrofa. From there I often visited the Church of St. Louis of France, and I went there to contemplate the painting of “The Calling of St. Matthew” by Caravaggio. That finger of Jesus, pointing at Matthew. That’s me. I feel like him. Like Matthew. . . . This is me, a sinner on whom the Lord has turned his gaze.
The Calling of St. Matthew is an extraordinary painting in many ways, including Caravaggio’s signature use of light and darkness to heighten the spiritual tension of a scene. In this case, though, the chiaroscuro setting is further intensified by a profoundly theological artistic device: The finger of Jesus, pointing at Matthew, seems deliberately to invoke the finger of God as rendered by Michelangelo on the Sistine Chapel ceiling. Thus Caravaggio, in depicting the summons of the tax collector, unites creation and redemption, God the Father and the incarnate Son, personal call and apostolic mission.
That is who Jorge Mario Bergoglio is: a radically converted Christian disciple who has felt the mercy of God in his own life and who describes himself, without intending any dramatic effect, as “a sinner whom the Lord has looked upon.” Having heard the call to conversion and responded to it, Bergoglio wants to facilitate others’ hearing of that call, which never ceases to come from God through Christ and the Church.
And that, Bergoglio insists, is what the Church is for: The Church is for evangelization and conversion.
Read the rest here: http://www.nationalreview.com/article/359042/christ-centered-pope-george-weigel