Kresta in the Afternoon – November 18, 2009 – Hour 2

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    Topic One – USCCB Fall Meeting: An Analysis

    With the major work of the USCCB Fall Meeting now completed, we get a report from Raymond Arroyo. What were the highlights, and what will have the greatest impact on the Church? What will be felt by those in the pews, and what happened behind the scenes? Raymond has it all.

    Topic Two – A Catholic View of Literary Classics – Part 8 of 10: Merchant of Venice

    We continue our 10-week series examining Classic Literature from a Catholic perspective. Acclaimed literary biographer Joseph Pearce is the editor of the Ignatius Critical Editions and will be our guide. We will ensure that traditional moral readings of the works are given prominence, instead of the feminist or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer choice, enabling educators, students, and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. Today, we examine Shakespeare’s The Merchant of Venice.

    Topic Three – “2012”

    When we got word recently that the movie “2012” depicts the Vatican being blown up, along with the famous statue from Rio, Christ the Redeemer, we were unmoved. Why? Because this occurs during the end of the world in a massive destruction. This kind of sensationalism, we reasoned, is standard fare for director Roland Emmerich: he is the guru of the “blow ‘em up” genre of movies. But now we’ve learned that while Catholics get theirs, Muslims are spared. Out of fear, of course. Emmerich is more than a coward—he is a liar who has it out for Catholics. Last year, he was quoted saying, “I would like to erase all nations and religions.” Not true. He is quite content to live with Islam, even though he readily admits it is a religion of terror. When asked why he did not show the destruction of Kaaba, the religious structure in the Grand Mosque in Mecca, he said, “I wanted to do that, I have to admit. You can actually let Christian symbols fall apart, but if you would do this with [an] Arab symbol, you would have…a fatwa.” We talk about the film with Fr. Robert Barron.

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